Anila Rubiku, Don’t you wonder sometimes? 2016 cm. 113,5 x 186, watercolor on arches paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, All My Love’s in Vain, 2018. cm. 20x10x12, White Statuary marble on cobblestone, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku,Ain’t got nobody in all this world, 2016. cm. 41,5 x 52, watercolour on arches paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, Speak Low when you speak love, 2016. cm. 150 x 200, charcoal on arches paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, Will You Still Love Me Tomorrow?, 2016. cm. 150 x 103, watercolor on arches paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, The consequences of Love, 2016. cm. 38,5 x 57, Silk screen on Arches paper (Red edition), The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, Stairway to Heaven, 2016. cm. 150 x 103, watercolor on arches paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, It’s for sure; not for maybe, 2015. cm. 108 x 79, watercolour on Hahnemühle paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, Set me free, 2015. cm. 108 x 79, watercolour on Hahnemühle paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, Love is a tender trap, 2018. cm. 20x10x12, Belgium Black marble on cobblestone, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, You’ve taken my blues and gone, 2016. cm. 41,5 x 52, watercolor on arches paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, All My Love’s in Vain, 2018. cm. 17x30x24, White Statuary marble, gold chain, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, I can hardly speak, 2015. cm. 108 x 79, watercolour on Hahnemühle paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, Can’t you see What love and heartache’s done to me, I’m not the same as I used to be, 2018. cm. 20x 10×12, Red marble Laguna on cobblestone, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, This ain’t time to go, 2016. cm. 41,5 x 52, watercolor on arches paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, Just to have it in my mind, 2016. cm. 41,5 x 52, watercolor on arches paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, Just look at me and see, 2016. cm. 41,5 x 52, watercolor on arches paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, I don’t know where to turn, 2016. 2016. cm. 41,5 x 52, watercolor on arches paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, Someday Somebody stand up and talk about me, 2016. cm. 41,5 x 52, watercolor on arches paper, The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 
Anila Rubiku, Down and troubled 2016, cm.103 x 154, watercolor on arches paper The Consequences of Love, Kyro Art Gallery, 2018 © Copyright 2020 Anila Rubiku, Don’t fence me in. 2016, cm.113,5 x 186, watercolour on arches paper, © Copyright 2020
07.07.18 – 07.08.18
The Consequences of Love,
Kyro Art Gallery, Pietrasanta, Italy.
Curated by Gianluca Marziani.
Here is the greatest folly of all. We fall in love, enter into a close dyadic bond and immediately try to limit the freedom of the other. This is depicted using chains whose significance runs very deeply in all cultures. Chains bind, enclose and imprison; they tether and keep danger or freedom at bay. They are a false security. They are deeply unreasonable. The project Albanian Women Justice and the Law completed in Albania in 2013 showed that the women were in prison because of the men they loved. The inspiration for using chains as a symbol of love came from American blues and the American song book generally in which chains figure prominently as a metaphor for ‘loving’ relationships with “Unchain My Heart” being the the archetypical song but many other segments of the lyrics sum up beautifully the folly of love as human do it: “Why do Fools Fall in Love?”
Kyro Art Gallery
www.kyroartgallery.com